• About AwardsDaily
  • Sasha Stone
  • Advertising on Awards Daily
Awards Daily
  • 2026 Oscar Predictions
  • 2025/2026 Awards Calendar
  • Buzzmeter
  • NextGen Oscarwatcher
  • Let’s Talk Cinema
No Result
View All Result
  • 2026 Oscar Predictions
  • 2025/2026 Awards Calendar
  • Buzzmeter
  • NextGen Oscarwatcher
  • Let’s Talk Cinema
No Result
View All Result
Awards Daily
No Result
View All Result

Legendary Songwriter Diane Warren on Her 11th Oscar Nomination for ‘Breakthrough’

"This song represents the way we need to stand together as people."

Kevin Dillon by Kevin Dillon
January 31, 2020
in BEST SONG, Interviews
0
Legendary Songwriter Diane Warren on Her 11th Oscar Nomination for ‘Breakthrough’

(Photo: Fox)

What can I say about Diane Warren that has not already been said? She is a legend, an icon, and one of the best songwriters working today. Diane Warren created music for Aerosmith, Celine Dion, Lady Gaga, Cher and countless others. My personal favorites are “Nothing is is Going to Stop Us” from Mannequin,  “You Haven’t Seen the Last of Me” from Burlesque, and “Why Did You Do That?” from A Star is Born (2019).

She has written music for film, television, and for individual artists albums. During our conversation we talked about how her music often feels like a character in the films. “I Don’t Want to Miss a Thing” will surely bring a tear to most people as they think about Bruce Willis going down with the ship in Armageddon. I know many folks think about LeAnne Rimes hopping up on the bar in Coyote Ugly and singing “Can’t Fight the Moonlight.” The power of these musical moments have become iconic moments in popular culture. 

Warren’s career spans five decades in the music industry during which she has achieved 11 Oscar nominations, 5 Golden Golden Nominations (1 win), 12 Grammy nominations (1 win), and a Primetime Emmy win. She shows no sign of slowing down. 

Awards Daily: Your career started actually started with writing songs for film. What has it been like to work on music in films over the years? 

Diane Warren: My first big hit was with “Rhythm of the Night” for Debarge. This is my fifth decade writing and writing for music in a film, and it feels surreal. I always feel blessed that I get to do this on a daily basis. I am blessed to create music for film, and television, and while it was never my intention to continue creating songs for film, the experiences I have had over the years have been utterly fantastic.

AD: Breakthrough is about faith, hope, and love. How did you translate this with the song, and the way it works within the film? 

DW: Exactly, and what is wrong with a little faith, hope and love? I am not super religious. I wanted this song to speak to the positivity that can come from hope and faith. We live in a time where we need miracles more than ever, especially with what is happening to the planet. Breakthrough is a movie about faith. What is wrong with having faith? I have had faith in my talent, and that has gotten me to where I am today. 

The story centers around a mother of the young boy who had faith, and her faith brought the boy back to life. This woman and the community did not give up. The film and its message really inspired my song, and the message of faith and hope transcend everything. Chrissy Metz sang this at the ACLU and for the 50th annual anniversary of Stonewall. This song represents the way we need to stand together as people. That is the beauty of the song’s message. 

AD: What was it like working with Chrissy Metz? 

I thought of a lot of artists. I was not aware Chrissy Metz could sing. Many know Chrissy Metz for her role in This is Us. She went in the studio and worked with my team. I left and I came back and it was fucking awesome. She sang the shit out of the song. She put so much emotion, soul and authenticity in the song. I was not going to give that song to anybody else. 

This is such a Cinderella story for Chrissy. Four years ago, she had 81 cents in her pocket, and now she is singing at the Oscars. I wrote a few songs for her new album, and it has been an honor and privilege to get to work with her.

AD: How do you think the success of this song happened or this film made it to the Oscars?

DW: This is a Cinderella story for the movie. The song got traction. People love the song. It was the little train that could. The movie is about miracles. All of these miracles happen, I met the boy at the premiere, and it validated everything I felt while writing this song. We need miracles more than ever, they can inspire, and I love that this song was recognized by my peers. 

AD: I spoke with Charles Fox and Paul Williams earlier in the season, and they singled out your talent and kindness in the industry. How does it feel to have these folks single you out with your contributions to film

DW: Charles did an event for his song, and played all these TV themes he has written and it was so much fun to hear and listen to all the songs he has written over the years. Paul Williams is the funniest man and so talented. It feels like a tremendous honor to have both of these people who are icons in music sing my praises. I have met so many tremendous people through this, and it feels like such a huge honor. I have these folks on a giant pedestal, and they mean the world to me.

AD: What does it feel like to have the respect of your peers year after year? 

DW: Being nominated is amazing, and that is a win. Would I like to really win? It would be nice, but the nominations do mean so much since it’s with my peers. I do not take any of this for granted. I was probably more excited for this nomination.   

AD: You are one of the hardest working people in music. What is on the horizon for you ? 

DW: I have a couple great songs coming this year, so stay tuned. I am very excited about this song winning this year, and I genuinely would be thrilled. 

Tags: BreakthroughDiane Warren
Previous Post

‘1917’ Producer Brian Oliver on Bringing the Award-Winning Epic to the Big Screen

Next Post

Kristine Samuelson & John Haptas Recount the Horror of Resignation Syndrome for ‘Life Overtakes Me’

Next Post
Kristine Samuelson & John Haptas Recount the Horror of Resignation Syndrome for ‘Life Overtakes Me’

Kristine Samuelson & John Haptas Recount the Horror of Resignation Syndrome for 'Life Overtakes Me'

AD Predicts

Oscar Nomination Predictions

See All →
Best Picture
  • 1.
    One Battle after Another (Warner Bros.)
    100%
  • 2.
    Sinners (Warner Bros.)
    75%
  • 3.
    Hamnet (Focus Features)
    75%
  • 4.
    Marty Supreme (A24)
    75%
  • 5.
    Sentimental Value (Neon)
    75%
  • 6.
    Frankenstein (Netflix)
    75%
  • 7.
    Bugonia (Focus Features)
    75%
  • 8.
    Train Dreams (Netflix)
    75%
  • 9.
    The Secret Agent (Neon)
    75%
  • 10.
    F1 (Apple)
    75%
Best Director
  • 1.
    One Battle after Another, Paul Thomas Anderson
    100%
  • 2.
    Sinners, Ryan Coogler
    75%
  • 3.
    Hamnet, Chloé Zhao
    75%
  • 4.
    Marty Supreme, Josh Safdie
    75%
  • 5.
    Sentimental Value, Joachim Trier
    75%
Best Actor
  • 1.
    Timothée Chalamet in Marty Supreme
    100%
  • 2.
    Leonardo DiCaprio in One Battle after Another
    75%
  • 3.
    Michael B. Jordan in Sinners
    75%
  • 4.
    Ethan Hawke in Blue Moon
    75%
  • 5.
    Wagner Moura in The Secret Agent
    75%
Best Actress
  • 1.
    Jessie Buckley in Hamnet
    100%
  • 2.
    Rose Byrne in If I Had Legs I’d Kick You
    75%
  • 3.
    Renate Reinsve in Sentimental Value
    75%
  • 4.
    Kate Hudson in Song Sung Blue
    75%
  • 5.
    Emma Stone in Bugonia
    75%
Best Supporting Actor
  • 1.
    Stellan Skarsgård in Sentimental Value
    100%
  • 2.
    Benicio Del Toro in One Battle after Another
    75%
  • 3.
    Delroy Lindo in Sinners
    75%
  • 4.
    Jacob Elordi in Frankenstein
    75%
  • 5.
    Sean Penn in One Battle after Another
    75%
Best Supporting Actress
  • 1.
    Teyana Taylor in One Battle after Another
    100%
  • 2.
    Inga Ibsdotter Lilleaas in Sentimental Value
    75%
  • 3.
    Wunmi Mosaku in Sinners
    75%
  • 4.
    Amy Madigan in Weapons
    75%
  • 5.
    Elle Fanning in Sentimental Value
    75%
View Full Predictions
Nextgen Oscarwatcher: The Race is Over, Unless It’s Not
BEST PICTURE

Nextgen Oscarwatcher: The Race is Over, Unless It’s Not

by Scott Kernen
February 2, 2026
49

Best Picture What began as a competitive field with five films landing both SAG Ensemble and DGA nods has narrowed...

The Buzzmeter: If You Care About the Oscars, Don’t Be the Grammys

The Buzzmeter: If You Care About the Oscars, Don’t Be the Grammys

February 2, 2026
Melania at $7 Mil Has Made More Money Than Sentimental Value, Ann Lee and Blue Moon and More

Melania at $7 Mil Has Made More Money Than Sentimental Value, Ann Lee and Blue Moon and More

February 1, 2026
2026 Oscar Predictions: The Zealots Come For Timothee and Marty Supreme

2026 Oscar Predictions: The Zealots Come For Timothee and Marty Supreme

January 30, 2026
The “Critics” Take Sadistic Pleasure in “Reviewing” the Melania Movie

The “Critics” Take Sadistic Pleasure in “Reviewing” the Melania Movie

January 30, 2026
The Great Catherine O’Hara Passes On

The Great Catherine O’Hara Passes On

January 30, 2026
Oscar Podcast: Frontrunners and Challengers!

Oscar Podcast: Frontrunners and Challengers!

January 29, 2026
Award This! An Indie Alternative to the Oscars This Saturday

Award This! An Indie Alternative to the Oscars This Saturday

January 29, 2026
2026 Oscars: One Battle After Another Poised to Top Oppenheimer With Wins

2026 Oscars: One Battle After Another Poised to Top Oppenheimer With Wins

January 28, 2026
Sinners, Bugonia, One Battle, Hamnet land at Saturn Award Nominations

Sinners, Bugonia, One Battle, Hamnet land at Saturn Award Nominations

January 28, 2026

Oscar News

Oscar Nominee Reactions

Oscar Nominee Reactions

January 22, 2026

Oscars 2026: Shortlists Announced!

2026 Oscars: How to Survive a Race That’s Already Over Before it Even Begins

2026 Oscars: Contenders Bringing the Glam to the Governors Awards

2026 Oscars — Best Director: There is Ryan Coogler and Everyone Else

2026 Oscars: What Five Best Actor Contenders Will Get Nominated? [POLL]

EmmyWatch

CBS Finally Ends the Stephen Colbert Show

CBS Finally Ends the Stephen Colbert Show

July 18, 2025

The Gotham TV Winners Set the Consensus to Come

Gothams Announces Television Nominees

White Lotus Finale – A Deeply Profound Message for a Weary World

  • About AwardsDaily
  • Sasha Stone
  • Advertising on Awards Daily

© 2026 JNews - Premium WordPress news & magazine theme by Jegtheme.

No Result
View All Result
  • About AwardsDaily
  • Sasha Stone
  • Advertising on Awards Daily

© 2026 JNews - Premium WordPress news & magazine theme by Jegtheme.