NYFF

Poor Things, Yorgos Lanthimos’ surreal, hyper-sexual follow-up to The Favourite, may start with a death, but it’s soon after filled...

When depicting a sensitive, personal, and ongoing true story, what responsibility does an artist have to a victim? When is...

The Wind Rises would have made a fine send-off for Hayao Miyazaki. The tender 2013 biopic of fighter plane engineer...

At three hours, writer-director Ryusuke Hamaguchi was able to turn Drive My Car’s deliberate pacing into an asset, transforming its...

It’s hard not to get a little giddy when you read the names Pedro Almodóvar, Ethan Hawke, and Pedro Pascal...

“It’s a very lonely sort of life,” Claire Foy’s youthful ghoul of a mother says to her son, who clearly...

Film at Lincoln Center announces Bradley Cooper’s Maestro as the Spotlight Gala of the 61st New York Film Festival at...

The evolution of queer cinema has long meant a stronger sense of authenticity coming into films about queer people and...

At times, Sarah Polley’s Women Talking feels like an adaptation of a stage play more than it does a novel....

Expecting the unexpected goes hand in hand with the films of Park Chan-wook. His latest, Decision to Leave, a pulpy,...