The USC Scripter has a fairly decent match rate with the Oscars and unlike the WGA, they do not have any eligibility requirements. Ideally, they honor the source material and the script but I have seen them just honor the script where the source material is EH. Anyway, here they are:
- James Mangold and Jay Cocks for “A Complete Unknown” based on the nonfiction book “Dylan Goes Electric! Newport, Seeger, Dylan, and the Night That Split the Sixties” by Elijah Wald
- Peter Straughan for “Conclave” based on the novel by Robert Harris
- RaMell Ross and Joslyn Barnes for “Nickel Boys” based on the book “The Nickel Boys” by Colson Whitehead
- Clint Bentley and Greg Kwedar (screenplay and story) and Clarence Maclin and John “Divine G” Whitfield (story) for “Sing Sing” based on the “Esquire” magazine article “The Sing Sing Follies” by John H. Richardson
- Screenwriter Chris Sanders and novelist Peter Brown for “The Wild Robot”
I am happy to see Sing Sing there. I hope it gets in for the Oscars too.
The finalist writers for episodic series are, in alphabetical order by series
- Richard Gadd for the sixth episode of “Baby Reindeer,” based on his stage play of the same name
- Steven Zaillian for “V Lucio,” the fifth episode of “Ripley,” based on “The Talented Mr. Ripley” by Patricia Highsmith
- Joshua Zetumer for the episode “The People in the Dirt” from “Say Nothing,” based on the nonfiction book “Say by Patrick Radden Keefe
- Rachel Kondo and Justin Marks for “Anjin,” the first episode of “Shōgun,” based on the novel by James Clavell
- Will Smith for the episode “Hello Goodbye,” from “Slow Horses,” based on the novel “Spook Street” by Mick Herron
